This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

9 ratios showing strong performance but not fitting into specific categorized strengths.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The upper jaw is excessively long, unbalancing the lower face proportions.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The neck lacks angularity, appearing soft and undefined in the profile view.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The forehead slopes backward excessively, altering upper face proportions.

The midface and jaw shapes do not align, reducing facial harmony.

The eyes appear excessively round.

The nose is overly upturned, creating an unbalanced nasal profile.

The lower lip is too recessed, reducing fullness and profile balance.

The upper face is too tall, creating an unbalanced forehead proportion.

The jaw is too slim, creating a delicate or less robust lower face appearance.

The forehead is excessively wide, creating a disproportionate upper face.

The lower face is too short, reducing chin and jaw prominence.

6 ratios showing minor proportional variations that contribute to overall harmony score.