This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

7 ratios showing strong performance but not fitting into specific categorized strengths.

The eyes are positioned too close together, reducing midface balance.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The upper jaw is too short, creating an unbalanced lower face proportion.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.

The neck lacks angularity, appearing soft and undefined in the profile view.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The forehead has a softer, less prominent ridge than the ideal.

The lower lip juts out excessively, unbalancing the lower face.

The lower lip is excessively thick, creating disproportionate lip proportions.

The middle of the face is too short, appearing compressed or wide.

The central midface is too wide, often due to wide-set eyes or a short nose.

The nose is too short vertically, creating a less balanced midface.

The eyebrows lack adequate horizontal length.

The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The midface and jaw shapes do not align, reducing facial harmony.

The upper forehead slopes backward excessively.

The forehead slopes backward excessively, altering upper face proportions.

The nose bridge is excessively narrow.

The mouth corners are downturned, creating a frowning or sad appearance.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

8 ratios showing minor proportional variations that contribute to overall harmony score.