This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The chin extends too far forward, unbalancing the facial profile.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The upper jaw is excessively long, unbalancing the lower face proportions.

The lower jaw is too short, reducing lower face strength and balance.

The midface and jaw shapes do not align, reducing facial harmony.

The cheekbones are moderately low, providing limited midface definition.

The nose droops downward, creating an unbalanced nasal profile.

The middle of the face is too short, appearing compressed or wide.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The face is excessively tall and narrow, creating an elongated appearance.

The upper forehead slopes backward excessively.

The nose bridge is excessively narrow.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The nose tip is too round, lacking sharpness and definition.

The upper face is too tall, creating an unbalanced forehead proportion.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

8 ratios showing minor proportional variations that contribute to overall harmony score.