This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

11 ratios showing strong performance but not fitting into specific categorized strengths.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The chin extends too far forward, unbalancing the facial profile.

The face is excessively tall and narrow, creating an elongated appearance.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The nose is too broad, creating an unbalanced facial appearance.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The neck lacks angularity, appearing soft and undefined in the profile view.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The mouth is too slim, reducing expressiveness and facial proportion.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The lower jaw is too long, creating a heavy or extended lower face.

The lower face is too tall, creating an elongated chin and jaw.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The midface is underprojected.

The eyes appear excessively round.

The nose protrudes excessively, dominating the facial profile.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The upper face (forehead) is too short, reducing vertical balance.

The upper lip is set too far back, creating a flat or thin appearance.

The nose bridge is excessively narrow.

The midface and jaw shapes do not align, reducing facial harmony.

The upper forehead slopes backward excessively.

The mouth corners are downturned, creating a frowning or sad appearance.

1 ratio showing minor proportional variations that contribute to overall harmony score.