This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

5 ratios showing strong performance but not fitting into specific categorized strengths.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The face is excessively tall and narrow, creating an elongated appearance.

The eyes are positioned too close together, reducing midface balance.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The neck lacks angularity, appearing soft and undefined in the profile view.

The lower lip is too recessed, reducing fullness and profile balance.

The upper lip is set too far back, creating a flat or thin appearance.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The nose protrudes excessively, dominating the facial profile.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The eyebrows lack adequate horizontal length.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The forehead slopes backward excessively, altering upper face proportions.

The lower face is too tall, creating an elongated chin and jaw.

The cheekbones are moderately low, providing limited midface definition.

The upper forehead slopes backward excessively.

The forehead is too slim relative to the face, reducing upper face balance.

8 ratios showing minor proportional variations that contribute to overall harmony score.