This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.

This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.

The upper jaw is too short, creating an unbalanced lower face proportion.

The eyes appear excessively round.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The lower jaw is too long, creating a heavy or extended lower face.

The lower face is too tall, creating an elongated chin and jaw.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The vertical jawbone is too short, leading to inadequate jaw height and definition.

The face is excessively tall and narrow, creating an elongated appearance.

The upper face (forehead) is too short, reducing vertical balance.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The forehead is too slim relative to the face, reducing upper face balance.

The nose bridge is excessively narrow.

The forehead slopes backward excessively, altering upper face proportions.

The eyebrows lack adequate horizontal length.

The central midface is too wide, often due to wide-set eyes or a short nose.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The mouth corners are downturned, creating a frowning or sad appearance.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

10 ratios showing minor proportional variations that contribute to overall harmony score.