This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

8 ratios showing strong performance but not fitting into specific categorized strengths.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The eyes are positioned too close together, reducing midface balance.

The face is excessively tall and narrow, creating an elongated appearance.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The neck is excessively broad, often due to muscle bulk or fat, reducing definition.

The brow ridge is overly prominent, creating a heavier and more robust appearance than the ideal.

The cheekbones are moderately low, providing limited midface definition.

The lower face is too tall, creating an elongated chin and jaw.

The upper lip is set too far back, creating a flat or thin appearance.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The lower lip is too recessed, reducing fullness and profile balance.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The eyes appear excessively round.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The forehead slopes backward excessively, altering upper face proportions.

The nose bridge is excessively narrow.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

5 ratios showing minor proportional variations that contribute to overall harmony score.