Mouth width to nose width ratio1.5
Submental Cervical Angle2.0
Andre Ziehe
Facial Harmony Analysis
Overall
6.8
Top 7.7%·Great harmony
Front
7.0
Top 5.3%
Side
6.5
Top 14%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
10.0
Proportionate lower face
This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.9
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.9
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.8
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.8
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.8
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.8
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.7
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.6
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.6
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.4
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.3
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.3
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.6
Additional Strengths
6 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.1%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
4.8%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
3.7%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
3.2%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.6%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
2.5%
Soft and weak brow ridge
The forehead has a softer, less prominent ridge than the ideal.
2.5%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
1.9%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
1.6%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
0.5%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.2%
Overly wide nose bridge
The nose bridge is excessively wide.
3.9%
Minor Proportional Variations
8 ratios showing minor proportional variations that contribute to overall harmony score.
