
Nose Bridge to Nose Width0.2

Nose Tip Rotation Angle1.3
Andreas Erikson
Facial Harmony Analysis
Overall
7.6
Top 1.4%·Excellent harmony
Front
7.4
Top 2.3%
Side
7.9
Top 0.6%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.9
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.9
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.9
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.8
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.7
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.6
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.6
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.5
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.5
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.3
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.1
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.1
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
8.9
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
8.7
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.5
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
3.8%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
2.2%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.0%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.6%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.8%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
0.4%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
6.8%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
















