Lower Third Proportion1.8
Mentolabial Angle3.9
Shawn Mendes
Facial Harmony Analysis
Overall
7.8
Top 0.8%·Exceptional harmony
Front
7.4
Top 2.1%
Side
8.4
Top 0.08%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.9
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.9
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.9
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.7
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.7
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.7
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.7
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.6
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.5
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.4
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.3
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.2
Good ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.1
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.8
Additional Strengths
6 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.8%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
4.8%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
4.8%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
3.0%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.3%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
2.1%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.1%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
0.6%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
0.5%
Overly flat forehead appearance
The forehead is too flat, lacking natural curvature and prominence.
0.3%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
4.4%
Minor Proportional Variations
8 ratios showing minor proportional variations that contribute to overall harmony score.
