This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The chin extends too far forward, unbalancing the facial profile.

The entire face is too short and wide, reducing overall proportion.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The neck lacks angularity, appearing soft and undefined in the profile view.

The midface is underprojected.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The nose droops downward, creating an unbalanced nasal profile.

The forehead has a softer, less prominent ridge than the ideal.

The upper face (forehead) is too short, reducing vertical balance.

The nose is too long vertically, unbalancing the midface proportions.

The midface is too tall, elongating the central face.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The eyebrows lack adequate horizontal length.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The upper forehead slopes backward excessively.

The neck is too slim, appearing delicate and less proportionate to the face.

The midface and jaw shapes do not align, reducing facial harmony.

The forehead slopes backward excessively, altering upper face proportions.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

5 ratios showing minor proportional variations that contribute to overall harmony score.