Lower Third Proportion1.1
Browridge Inclination Angle1.1
Jung Ho-yeon
Facial Harmony Analysis
Overall
6.6
Top 13%·Very good harmony
Front
5.4
Top 46%
Side
8.4
Top 0.06%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Ideal mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
10.0
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.9
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.8
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.8
Excellent upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.7
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.7
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.5
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.5
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.3
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.0
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.5%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
3.2%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
2.8%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.8%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.8%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.7%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
2.7%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
2.7%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
2.1%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.0%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
1.4%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
1.4%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
1.1%
Overly round eye shape
The eyes appear excessively round.
0.6%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.5%
Overly wide nose bridge
The nose bridge is excessively wide.
6.8%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
