Lower Third Proportion1.6
Nasal Tip Angle0.8
Pietro Boselli
Facial Harmony Analysis
Overall
6.6
Top 12%·Very good harmony
Front
5.7
Top 42%
Side
8.1
Top 0.2%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.9
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.9
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.8
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.8
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.7
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.7
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.4
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.3
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.1
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.5%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
3.0%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
2.6%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.6%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.6%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.0%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.0%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.8%
Overly wide neck
The neck is excessively broad, often due to muscle bulk or fat, reducing definition.
1.4%
Overly rounded and undefined nasal tip
The nose tip is too round, lacking sharpness and definition.
1.4%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
1.3%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.3%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
1.2%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
1.1%
Overly round eye shape
The eyes appear excessively round.
1.1%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
0.8%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.8%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.7%
Overly upturned eyebrows
The eyebrows arch too high, creating an overly expressive or surprised look.
2.4%
Minor Proportional Variations
4 ratios showing minor proportional variations that contribute to overall harmony score.
