Mathematically Perfect Male Face front
Chin to philtrum ratio5.6
Mathematically Perfect Male Face side
Lower Lip S-Line Position0.9

Mathematically Perfect Male Face

Facial Harmony Analysis

Overall
7.5
Top 1.9%·Excellent harmony
Front
8.6
Top 0.03%
Side
5.6
Top 43%

Ratio Breakdown

Side Profile

Strengths

10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.7
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.7
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.7
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.7
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.7
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.5
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.5
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.5
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.4
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.3
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.2
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for Improvement

3.8%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
3.2%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
2.0%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
1.7%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
1.7%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
1.7%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.7%
Overly upturned eyebrows
The eyebrows arch too high, creating an overly expressive or surprised look.
0.5%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
0.5%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
10.4%
Minor Proportional Variations
10 ratios showing minor proportional variations that contribute to overall harmony score.