This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

9 ratios showing strong performance but not fitting into specific categorized strengths.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The eyes are too far apart, creating a wide or stretched midface appearance.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The upper jaw is too short, creating an unbalanced lower face proportion.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.

The middle of the face is too short, appearing compressed or wide.

The central midface is too wide, often due to wide-set eyes or a short nose.

The lower lip juts out excessively, unbalancing the lower face.

The lower lip is excessively thick, creating disproportionate lip proportions.

The nose is too short vertically, creating a less balanced midface.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower face is too tall, creating an elongated chin and jaw.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The upper lip extends too far forward, disrupting facial harmony.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The eyebrows lack adequate horizontal length.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The neck lacks angularity, appearing soft and undefined in the profile view.

The upper face (forehead) is too short, reducing vertical balance.

The upper forehead slopes backward excessively.

The midface and jaw shapes do not align, reducing facial harmony.

8 ratios showing minor proportional variations that contribute to overall harmony score.