This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

4 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The nose is too long vertically, unbalancing the midface proportions.

The upper jaw is excessively long, unbalancing the lower face proportions.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The forehead has a softer, less prominent ridge than the ideal.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The neck lacks angularity, appearing soft and undefined in the profile view.

The lower lip juts out excessively, unbalancing the lower face.

The lower lip is excessively thick, creating disproportionate lip proportions.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The nose protrudes excessively, dominating the facial profile.

The midface is too tall, elongating the central face.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The eyes appear excessively round.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The upper face (forehead) is too short, reducing vertical balance.

The eyebrows lack adequate horizontal length.

The midface and jaw shapes do not align, reducing facial harmony.

The nose bridge is excessively narrow.

The forehead is too slim relative to the face, reducing upper face balance.

The upper forehead slopes backward excessively.

7 ratios showing minor proportional variations that contribute to overall harmony score.