Mustafa Ataturk

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

5 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The nose is too broad, creating an unbalanced facial appearance.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The mouth is too slim, reducing expressiveness and facial proportion.

The neck lacks angularity, appearing soft and undefined in the profile view.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The neck is too slim, appearing delicate and less proportionate to the face.

The lower lip is too recessed, reducing fullness and profile balance.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The midface and jaw shapes do not align, reducing facial harmony.

The forehead is too slim relative to the face, reducing upper face balance.

The forehead slopes backward excessively, altering upper face proportions.

The nose bridge is excessively narrow.

The upper lip is set too far back, creating a flat or thin appearance.

The eyebrows lack adequate horizontal length.

The upper face is too tall, creating an unbalanced forehead proportion.

The upper forehead slopes backward excessively.

The lower face is too short, reducing chin and jaw prominence.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

4 ratios showing minor proportional variations that contribute to overall harmony score.