Nose Tip Position3.2
Upper Lip S-Line Position1.9
robert redford
Facial Harmony Analysis
Overall
6.7
Top 10%·Great harmony
Front
7.9
Top 0.5%
Side
4.7
Bottom 48%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.9
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.9
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.8
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.8
Excellent upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.7
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.6
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.5
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.4
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.4
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
8.8
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.7
Additional Strengths
8 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.0%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
3.6%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.6%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.6%
Overly round eye shape
The eyes appear excessively round.
2.6%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.4%
Underprojected midface
The midface is underprojected.
1.9%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.6%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
1.6%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
1.4%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
0.5%
Droopy nose
The nose droops downward, creating an unbalanced nasal profile.
0.5%
Overly rounded and undefined nasal tip
The nose tip is too round, lacking sharpness and definition.
0.4%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
7.6%
Minor Proportional Variations
8 ratios showing minor proportional variations that contribute to overall harmony score.
