Lower Third Proportion2.2
Facial Depth to Height Ratio4.5
Nocturnal Kent
Facial Harmony Analysis
Overall
6.8
Top 8.5%·Great harmony
Front
6.7
Top 11%
Side
7.0
Top 5.8%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.9
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.7
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.6
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.4
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.4
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.4
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.3
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.2
Good interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
8.9
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.7
Additional Strengths
8 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.5%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
4.5%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.5%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
2.4%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.2%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.2%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
2.0%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
2.0%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
1.5%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
1.2%
Underprojected midface
The midface is underprojected.
1.1%
Overly round eye shape
The eyes appear excessively round.
0.9%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.9%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
10.4%
Minor Proportional Variations
9 ratios showing minor proportional variations that contribute to overall harmony score.
