samuel dezzani front
Cupid's Bow Depth5.0
samuel dezzani side
Nasal W to H ratio2.1

samuel dezzani

Facial Harmony Analysis

Overall
7.6
Top 1.2%·Exceptional harmony
Front
7.8
Top 0.7%
Side
7.3
Top 2.4%

Ratio Breakdown

Side Profile

Strengths

10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.8
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.8
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.6
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.6
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.6
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.6
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.5
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.5
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.5
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.4
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.3
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.3
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.3
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.1
Good interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
8.7
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for Improvement

4.1%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
3.2%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.2%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.4%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
1.8%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
1.3%
Overly full lower lip
The lower lip is excessively thick, creating disproportionate lip proportions.
1.2%
Overly protruded lower lip
The lower lip juts out excessively, unbalancing the lower face.
0.9%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.5%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
0.5%
Overly flat forehead appearance
The forehead is too flat, lacking natural curvature and prominence.
0.4%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
3.9%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.