Face Width to Height Ratio0.2
Gonion to mouth line0.2
Tupac Shakir
Facial Harmony Analysis
Overall
3.3
Bottom 9.2%·Poor harmony
Front
2.6
Bottom 2.3%
Side
4.3
Bottom 37%
Ratio Breakdown
Side Profile
Strengths
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.7
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.6
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.5
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.5
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.5
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.3
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
8.8
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.8
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
8.8
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
8.6
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
8.5
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.7
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
12.2%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
12.0%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
12.0%
Long nose
The nose is too long vertically, unbalancing the midface proportions.
8.9%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
8.9%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
6.6%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
6.5%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
4.9%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
4.6%
Short ramus
The vertical jawbone is too short, leading to inadequate jaw height and definition.
3.9%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
2.9%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
2.6%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
2.5%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.3%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
1.5%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
1.4%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
1.3%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.7%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.5%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
6.5%
Minor Proportional Variations
9 ratios showing minor proportional variations that contribute to overall harmony score.
