This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

9 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The upper jaw is excessively long, unbalancing the lower face proportions.

The face is excessively tall and narrow, creating an elongated appearance.

The neck lacks angularity, appearing soft and undefined in the profile view.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The jaw is too slim, creating a delicate or less robust lower face appearance.

The lower face is too short, reducing chin and jaw prominence.

The upper lip extends too far forward, disrupting facial harmony.

The eyes appear excessively round.

The upper face is too tall, creating an unbalanced forehead proportion.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The upper forehead slopes backward excessively.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The nose bridge is excessively narrow.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

7 ratios showing minor proportional variations that contribute to overall harmony score.