This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a harmonious midface due to the midface not being overly elongated or shortened.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The eyes are positioned too close together, reducing midface balance.

The upper lip is set too far back, creating a flat or thin appearance.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The nose droops downward, creating an unbalanced nasal profile.

The neck lacks angularity, appearing soft and undefined in the profile view.

The cheekbones are moderately low, providing limited midface definition.

The neck is excessively broad, often due to muscle bulk or fat, reducing definition.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The forehead is excessively wide, creating a disproportionate upper face.

The eyebrows lack adequate horizontal length.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

6 ratios showing minor proportional variations that contribute to overall harmony score.