This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

11 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The entire face is too short and wide, reducing overall proportion.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The lower face is too short, reducing chin and jaw prominence.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The eyebrows arch too high, creating an overly expressive or surprised look.

The vertical jawbone is too short, leading to inadequate jaw height and definition.

The mouth is too slim, reducing expressiveness and facial proportion.

The lower lip is too recessed, reducing fullness and profile balance.

The upper face is too tall, creating an unbalanced forehead proportion.

The midface and jaw shapes do not align, reducing facial harmony.

The eyebrows lack adequate horizontal length.

The forehead slopes backward excessively, altering upper face proportions.

The upper forehead slopes backward excessively.

The nose bridge is excessively narrow.

6 ratios showing minor proportional variations that contribute to overall harmony score.