This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

9 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The entire face is too short and wide, reducing overall proportion.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The nose is too long vertically, unbalancing the midface proportions.

The midface is too tall, elongating the central face.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The vertical jawbone is too short, leading to inadequate jaw height and definition.

The forehead is too slim relative to the face, reducing upper face balance.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The neck is too slim, appearing delicate and less proportionate to the face.

The upper face (forehead) is too short, reducing vertical balance.

The eyes appear excessively round.

The midface and jaw shapes do not align, reducing facial harmony.

The eyebrows arch too high, creating an overly expressive or surprised look.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

The eyebrows lack adequate horizontal length.

4 ratios showing minor proportional variations that contribute to overall harmony score.