This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

11 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The nose is too long vertically, unbalancing the midface proportions.

The upper jaw is excessively long, unbalancing the lower face proportions.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The face is excessively tall and narrow, creating an elongated appearance.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The nose droops downward, creating an unbalanced nasal profile.

The neck is excessively broad, often due to muscle bulk or fat, reducing definition.

The eyes appear excessively round.

The upper face is too tall, creating an unbalanced forehead proportion.

The forehead slopes backward excessively, altering upper face proportions.

The lower face is too short, reducing chin and jaw prominence.

The forehead is excessively wide, creating a disproportionate upper face.

The midface and jaw shapes do not align, reducing facial harmony.

7 ratios showing minor proportional variations that contribute to overall harmony score.