This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

6 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The upper jaw is excessively long, unbalancing the lower face proportions.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The nose droops downward, creating an unbalanced nasal profile.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The eyes appear excessively round.

The neck lacks angularity, appearing soft and undefined in the profile view.

The face is excessively tall and narrow, creating an elongated appearance.

The eyebrows lack adequate horizontal length.

The forehead is too flat, lacking natural curvature and prominence.

The lower lip juts out excessively, unbalancing the lower face.

The midface and jaw shapes do not align, reducing facial harmony.

The nose bridge is excessively wide.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

3 ratios showing minor proportional variations that contribute to overall harmony score.