Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


7.5
Excellent harmony
Top 1.6%FaceIQ Labs rates Matt Lemond (Model)'s Harmony at 7.5, 184th of 730 men on the wiki, in the top 26%. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. At the top of his breakdown are Bitemporal Width and Cheekbone height, both at 10.0; at the bottom, Facial Convexity (Glabella) at 2.7 and Submental Cervical Angle at 0.7. The closest Harmony scores on the wiki belong to Gale Harold (7.5), Damian Kater (7.5) and Eric Roberts (7.5). The highest on the wiki is Alain Delon(prime), at 9.0.
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
10.0This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
10.0This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
9.8This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.8This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.8This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.7This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.7This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.7This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.7This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.6This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.6This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.6This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.5This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.5This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.5This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.41 ratio showing strong performance but not fitting into specific categorized strengths.
9.8The chin extends too far forward, unbalancing the facial profile.
6.1%The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
4.5%The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.
4.5%The neck lacks angularity, appearing soft and undefined in the profile view.
4.3%The jaw lacks curvature, appearing straight and less dynamic in shape.
3.9%The midface and jaw shapes do not align, reducing facial harmony.
2.1%The nose protrudes excessively, dominating the facial profile.
1.6%The upper lip is set too far back, creating a flat or thin appearance.
0.9%The forehead slopes backward excessively, altering upper face proportions.
0.9%The nose bridge is excessively narrow.
0.7%The mouth corners are downturned, creating a frowning or sad appearance.
0.3%2 ratios showing minor proportional variations that contribute to overall harmony score.
1.2%Matt Lemond (Model)'s Harmony score is 7.5 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, Matt Lemond (Model) is ranked 184th of 730 men on the wiki, in the top 26%.