Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


7.7
Exceptional harmony
Top 1%Matteo Gozzi's Harmony score is 7.7, 145th of 741 men on the wiki, in the top 20%. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. At the top of his breakdown are Bigonial width and Bitemporal Width, both at 10.0; at the bottom, Nose Tip Position and Ipsilateral Alar Angle, both at 2.9. David Gandy (7.7), Egzon Berisha (7.7) and Kostas Vidras (7.7) come closest to Matteo's Harmony score. The highest on the wiki is Alain Delon(prime), at 9.0.
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.9This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.9This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.9This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.8This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.8This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.8This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.8This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.7This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.7This indicates optimal forward projection relative to nasal height and facial structure.
9.7This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.7This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.6This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.6This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.5This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.5This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.3This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
8.8This contributes to a harmonious face shape due to the face being neither too short nor too long.
8.8This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
8.67 ratios showing strong performance but not fitting into specific categorized strengths.
9.3The middle of the face is elongated, creating an unbalanced vertical proportion.
7.4%The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
2.4%The chin lacks forward projection, creating a weak lower face appearance.
2.4%The neck lacks angularity, appearing soft and undefined in the profile view.
1.3%The upper forehead slopes backward excessively.
0.9%The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.7%The lower face is too short, reducing chin and jaw prominence.
0.7%The nose droops downward, creating an unbalanced nasal profile.
0.5%4 ratios showing minor proportional variations that contribute to overall harmony score.
2.5%Matteo Gozzi's Harmony score is 7.7 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, Matteo Gozzi is ranked 145th of 741 men on the wiki, in the top 20%.