This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

11 ratios showing strong performance but not fitting into specific categorized strengths.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The upper jaw is excessively long, unbalancing the lower face proportions.

The eyes are positioned too close together, reducing midface balance.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The outer corners of the eyes tilt upward excessively, creating an exaggerated look.

The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.

The entire face is too short and wide, reducing overall proportion.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The midface and jaw shapes do not align, reducing facial harmony.

The nose is too long vertically, unbalancing the midface proportions.

The eyes appear excessively round.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The midface is too tall, elongating the central face.

The eyebrows lack adequate horizontal length.

12 ratios showing minor proportional variations that contribute to overall harmony score.