This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

9 ratios showing strong performance but not fitting into specific categorized strengths.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The nose lacks forward projection, appearing flat and less defined in the profile.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The upper jaw is too short, creating an unbalanced lower face proportion.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The eyes are positioned too close together, reducing midface balance.

The neck lacks angularity, appearing soft and undefined in the profile view.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The lower lip is too recessed, reducing fullness and profile balance.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The middle of the face is too short, appearing compressed or wide.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The lower jaw is too long, creating a heavy or extended lower face.

The lower face is too tall, creating an elongated chin and jaw.

The nose is too short vertically, creating a less balanced midface.

The entire face is too short and wide, reducing overall proportion.

The central midface is too wide, often due to wide-set eyes or a short nose.

The upper lip is set too far back, creating a flat or thin appearance.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The forehead is too slim relative to the face, reducing upper face balance.

The eyebrows lack adequate horizontal length.

The mouth corners are downturned, creating a frowning or sad appearance.

The midface is too short vertically, compressing the central face.

The nose bridge is excessively narrow.

The upper forehead slopes backward excessively.

5 ratios showing minor proportional variations that contribute to overall harmony score.