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Harmony
Loading Harmony
Harmony
Harmony


5.7
Good harmony
Top 41%Oscar Piastri's Harmony score is 5.7, 610th of 860 men on the wiki. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. His strongest measurements are Bigonial width and Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle), both at 10.0, and his weakest are Nose Bridge to Nose Width at 0.8 and Lower Third Proportion at 0.0. Aaron Paul (5.7), Barron Trump (5.7) and Willem Dafoe (5.7) come closest to Oscar's Harmony score. David Rosenberg (Model) has the highest, at 8.9.
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.9This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.8This contributes to a harmonious midface due to the midface having ideal forward projection.
9.7This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.7This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.6This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.5This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.08 ratios showing strong performance but not fitting into specific categorized strengths.
9.6The upper jaw is too short, creating an unbalanced lower face proportion.
9.7%The middle of the face is too short, appearing compressed or wide.
8.3%The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
6.5%The lower jaw is too long, creating a heavy or extended lower face.
6.5%The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.
6.2%The eyes are too far apart, creating a wide or stretched midface appearance.
5.8%The nose is too short vertically, creating a less balanced midface.
5.2%The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
3.9%The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.
3.9%The jaw has a harsher, more robust, and prominent appearance than the ideal.
3.4%The central midface is too wide, often due to wide-set eyes or a short nose.
3.4%The chin extends too far forward, unbalancing the facial profile.
3.4%The neck lacks angularity, appearing soft and undefined in the profile view.
3.0%The nose protrudes excessively, dominating the facial profile.
2.4%The cheekbones are moderately low, providing limited midface definition.
2.3%The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
2.1%The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.7%The eyebrows lack adequate horizontal length.
1.5%The nose bridge is excessively narrow.
1.4%The upper forehead slopes backward excessively.
1.3%The upper face is too tall, creating an unbalanced forehead proportion.
1.1%The midface is too short vertically, compressing the central face.
0.8%The forehead is too slim relative to the face, reducing upper face balance.
0.7%The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
0.4%4 ratios showing minor proportional variations that contribute to overall harmony score.
1.0%Oscar Piastri's Harmony score is 5.7 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, Oscar Piastri is ranked 610th of 860 men on the wiki.