This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

12 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The upper jaw is too short, creating an unbalanced lower face proportion.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The middle of the face is too short, appearing compressed or wide.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The eyes are too far apart, creating a wide or stretched midface appearance.

The nose is too short vertically, creating a less balanced midface.

The lower face is too tall, creating an elongated chin and jaw.

The central midface is too wide, often due to wide-set eyes or a short nose.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The cheekbones are moderately low, providing limited midface definition.

The midface is too short vertically, compressing the central face.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The forehead slopes backward excessively, altering upper face proportions.

The nose bridge is excessively narrow.

The eyebrows lack adequate horizontal length.

7 ratios showing minor proportional variations that contribute to overall harmony score.