This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

7 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is too short, creating an unbalanced lower face proportion.

The middle of the face is too short, appearing compressed or wide.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The eyes are positioned too close together, reducing midface balance.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The neck lacks angularity, appearing soft and undefined in the profile view.

The entire face is too short and wide, reducing overall proportion.

The nose is too short vertically, creating a less balanced midface.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin lacks forward projection, creating a weak lower face appearance.

The lower face is too tall, creating an elongated chin and jaw.

The central midface is too wide, often due to wide-set eyes or a short nose.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The midface is too short vertically, compressing the central face.

The mouth corners are downturned, creating a frowning or sad appearance.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The forehead is too slim relative to the face, reducing upper face balance.

The eyebrows lack adequate horizontal length.

The nose bridge is excessively narrow.

The upper forehead slopes backward excessively.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

8 ratios showing minor proportional variations that contribute to overall harmony score.