This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

12 ratios showing strong performance but not fitting into specific categorized strengths.

The chin extends too far forward, unbalancing the facial profile.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The nose is too broad, creating an unbalanced facial appearance.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The neck lacks angularity, appearing soft and undefined in the profile view.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The midface and jaw shapes do not align, reducing facial harmony.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The nose droops downward, creating an unbalanced nasal profile.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The lower lip is too recessed, reducing fullness and profile balance.

The upper lip is set too far back, creating a flat or thin appearance.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The upper forehead slopes backward excessively.

The eyebrows lack adequate horizontal length.

The nose bridge is excessively wide.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

8 ratios showing minor proportional variations that contribute to overall harmony score.