Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


6.9
Great harmony
Top 6.8%Stefania Sandrelli's Harmony score is 6.9, a measure of how closely the face's proportions, front and side, fall inside their ideal ranges. That places her 231st of 363 women on the wiki. Joey King, Nicki Minaj and Sakura Miyawaki share the same score of 6.9, while Sharam Diniz holds the highest at 9.1. Her strongest measurement in this section is Stefania's Bitemporal Width score of 10.0, matched by her Stefania's Ear Protrusion Angle score of 10.0. Her weakest is Stefania's Submental Cervical Angle score of 0.0, with Stefania's Lower Third score at 3.8.
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.9This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.7This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.6This contributes to a harmonious midface due to the midface having ideal forward projection.
9.6This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.6This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.3This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.3This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.3This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.2This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.27 ratios showing strong performance but not fitting into specific categorized strengths.
9.7The neck lacks angularity, appearing soft and undefined in the profile view.
4.6%The entire face is too short and wide, reducing overall proportion.
3.2%The outer corners of the eyes tilt downward, giving a droopy or sad look.
3.1%The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
3.1%The middle of the face is elongated, creating an unbalanced vertical proportion.
2.9%The jaw has a harsher, more robust, and prominent appearance than the ideal.
1.9%The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.9%The lower face is too tall, creating an elongated chin and jaw.
1.9%The midface and jaw shapes do not align, reducing facial harmony.
1.7%The eyebrows lack adequate horizontal length.
1.0%The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.9%The upper face (forehead) is too short, reducing vertical balance.
0.8%The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.6%The mouth corners are downturned, creating a frowning or sad appearance.
0.4%The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
0.2%6 ratios showing minor proportional variations that contribute to overall harmony score.
3.3%Stefania Sandrelli's Harmony score is 6.9 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, Stefania Sandrelli is ranked 231st of 366 women on the wiki.