Nose Bridge to Nose Width0.4
Upper Lip S-Line Position0.4
Andrew garfield
Facial Harmony Analysis
Overall
6.2
Top 21%·Very good harmony
Front
5.9
Top 33%
Side
6.8
Top 8.9%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.9
Excellent upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.9
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.8
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.5
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.4
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.4
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.4
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.3
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.3
Good interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.8
Additional Strengths
6 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
7.0%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
4.8%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
4.3%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.7%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
2.7%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
2.7%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.2%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
2.1%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
2.1%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
2.0%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
1.7%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
1.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.4%
Overly wide or bloated jaw
The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.
1.3%
Overly rounded and undefined nasal tip
The nose tip is too round, lacking sharpness and definition.
1.2%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
0.3%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
4.9%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
