Nose Bridge to Nose Width0.0
Upper Lip Burstone Line5.1
Toni Mahfud
Facial Harmony Analysis
Overall
7.7
Top 1.1%·Exceptional harmony
Front
7.0
Top 5%
Side
8.7
Top 0.02%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.9
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.8
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Balanced jaw growth
This contributes to a pleasant jaw contour in both the front and side profiles.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.7
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.7
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.5
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.5
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.5
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.4
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.4
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.3
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.0
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.8
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
7.1%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.1%
Overly full upper lip
The upper lip is excessively thick, creating disproportionate lip proportions.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.5%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
1.4%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
1.4%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.0%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.0%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
0.7%
Long middle third
The midface is too tall, elongating the central face.
2.8%
Minor Proportional Variations
2 ratios showing minor proportional variations that contribute to overall harmony score.
