Brow Length to Face Width Ratio3.1
Nasofacial Angle3.9
Brett Maverick
Facial Harmony Analysis
Overall
6.7
Top 11%·Great harmony
Front
6.6
Top 13%
Side
6.8
Top 8.3%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.9
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.9
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.9
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.8
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8
Proportionate lower face
This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
9.8
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.8
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.7
Excellent upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.7
Balanced jaw growth
This contributes to a pleasant jaw contour in both the front and side profiles.
9.6
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.6
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.5
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.5
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.5
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.4
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.4
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.4
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.3
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.1%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
5.0%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
4.2%
Overprojected chin
The chin extends too far forward, unbalancing the facial profile.
4.0%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
2.9%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.5%
Soft and weak brow ridge
The forehead has a softer, less prominent ridge than the ideal.
2.1%
Underprojected midface
The midface is underprojected.
1.8%
Overly round eye shape
The eyes appear excessively round.
1.6%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
1.5%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
1.5%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
0.7%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
0.6%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
0.5%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
0.1%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
0.4%
Minor Proportional Variations
1 ratio showing minor proportional variations that contribute to overall harmony score.
