This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious midface due to the midface not being overly elongated or shortened.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

11 ratios showing strong performance but not fitting into specific categorized strengths.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The upper jaw is too short, creating an unbalanced lower face proportion.

The midface and jaw shapes do not align, reducing facial harmony.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper lip is set too far back, creating a flat or thin appearance.

The lower face is too tall, creating an elongated chin and jaw.

The cheekbones are moderately low, providing limited midface definition.

The mouth corners are downturned, creating a frowning or sad appearance.

4 ratios showing minor proportional variations that contribute to overall harmony score.