Lateral Canthal Tilt0.9
Submental Cervical Angle3.9
James Franco
Facial Harmony Analysis
Overall
6.6
Top 13%·Very good harmony
Front
5.4
Top 46%
Side
8.5
Top 0.04%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Balanced jaw growth
This contributes to a pleasant jaw contour in both the front and side profiles.
9.9
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.9
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.9
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.8
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.7
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.7
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.7
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.5
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.1
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
8.9
Good midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.7
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
8.4%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
3.1%
Low-set cheekbones
The cheekbones are positioned too low, reducing midface prominence and youthfulness.
2.8%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.6%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
2.6%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.5%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
2.4%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
1.4%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.2%
Flat eyebrows
The eyebrows lack arch or tilt, appearing straight and less dynamic.
0.7%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.3%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
2.6%
Minor Proportional Variations
4 ratios showing minor proportional variations that contribute to overall harmony score.
