Ipsilateral Alar Angle3.2
Recession relative to frankfort plane4.0
Emma Watson
Facial Harmony Analysis
Overall
7.1
Top 4.2%·Great harmony
Front
7.1
Top 4.8%
Side
7.2
Top 3.4%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.9
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.5
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.5
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.3
Good nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.1
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
8.8
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.7
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.8
Additional Strengths
12 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.7%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
2.8%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
2.8%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.7%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
1.8%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.5%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
1.4%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
0.9%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.8%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
0.6%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
0.5%
Short middle third
The midface is too short vertically, compressing the central face.
0.4%
Flat eyebrows
The eyebrows lack arch or tilt, appearing straight and less dynamic.
6.4%
Minor Proportional Variations
9 ratios showing minor proportional variations that contribute to overall harmony score.
