Jada Pinkett Smith front
Lower Third Proportion0.1
Jada Pinkett Smith side
Browridge Inclination Angle0.3

Jada Pinkett Smith

Facial Harmony Analysis

Overall
5.0
Bottom 50%·Average harmony
Front
3.4
Bottom 12%
Side
7.5
Top 1.7%

Ratio Breakdown

Side Profile

Strengths

10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.7
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.6
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.1
Good eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
8.7
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
8.7
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.8
Additional Strengths
8 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for Improvement

9.0%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
6.0%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
5.7%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
5.6%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
3.9%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
3.8%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.3%
Flat jaw
The jaw lacks curvature, appearing straight and less dynamic in shape.
3.0%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.3%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
1.5%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
1.2%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.1%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.0%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
1.0%
Overly wide or bloated jaw
The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.
7.5%
Minor Proportional Variations
9 ratios showing minor proportional variations that contribute to overall harmony score.