Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


5.5
Good harmony
Top 45%In FaceIQ Labs' Harmony analysis, D-Low scores 5.5, 639th of 874 men on the wiki. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. His strongest measurements are Bigonial width and Browridge Inclination Angle, both at 10.0, and his weakest are Lower Lip S-Line Position and Lower Lip Burstone Line, both at 0.0. The closest Harmony scores on the wiki belong to Nas (5.5), Alfred Enoch (5.5) and Chris Brown (5.5). David Rosenberg (Model) has the highest, at 8.9.
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.9This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.8This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.7This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.7This contributes to a harmonious midface due to the midface having ideal forward projection.
9.4This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.4This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.4This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.36 ratios showing strong performance but not fitting into specific categorized strengths.
9.4The jaw lacks curvature, appearing straight and less dynamic in shape.
5.4%The lower lip lacks fullness, appearing too slim relative to the upper lip.
4.2%The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
3.8%The upper jaw is excessively long, unbalancing the lower face proportions.
3.8%The nose protrudes excessively, dominating the facial profile.
3.7%The neck lacks angularity, appearing soft and undefined in the profile view.
3.5%The lower lip is too recessed, reducing fullness and profile balance.
3.1%The eyes are too far apart, creating a wide or stretched midface appearance.
3.0%The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
2.7%The outer corners of the eyes tilt downward, giving a droopy or sad look.
2.1%The entire face is too short and wide, reducing overall proportion.
2.0%The cheekbones are moderately low, providing limited midface definition.
2.0%The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.9%The jaw has a harsher, more robust, and prominent appearance than the ideal.
1.9%The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.9%The lower face is too tall, creating an elongated chin and jaw.
1.9%The neck is too slim, appearing delicate and less proportionate to the face.
1.8%The middle of the face is too short, appearing compressed or wide.
1.8%The central midface is too wide, often due to wide-set eyes or a short nose.
1.8%The midface and jaw shapes do not align, reducing facial harmony.
1.4%The nose bridge is excessively narrow.
1.3%The upper lip is set too far back, creating a flat or thin appearance.
1.3%The upper lip lacks fullness, appearing too slim relative to the lower lip.
1.3%The eyebrows lack adequate horizontal length.
1.0%The mouth corners are downturned, creating a frowning or sad appearance.
0.3%3 ratios showing minor proportional variations that contribute to overall harmony score.
1.7%D-Low's Harmony score is 5.5 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, D-Low is ranked 639th of 874 men on the wiki.