This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The eyes are positioned too close together, reducing midface balance.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The vertical jawbone is too short, leading to inadequate jaw height and definition.

The chin extends too far forward, unbalancing the facial profile.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The lower lip is too recessed, reducing fullness and profile balance.

The midface and jaw shapes do not align, reducing facial harmony.

The upper lip is set too far back, creating a flat or thin appearance.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The neck lacks angularity, appearing soft and undefined in the profile view.

The eyebrows lack adequate horizontal length.

The nose droops downward, creating an unbalanced nasal profile.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The upper forehead slopes backward excessively.

The nose bridge is excessively wide.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

6 ratios showing minor proportional variations that contribute to overall harmony score.