This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

12 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The chin extends too far forward, unbalancing the facial profile.

The eyes are positioned too close together, reducing midface balance.

The middle of the face is too short, appearing compressed or wide.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The midface is underprojected.

The upper lip is excessively thick, creating disproportionate lip proportions.

The neck is too slim, appearing delicate and less proportionate to the face.

The upper lip extends too far forward, disrupting facial harmony.

The lower lip juts out excessively, unbalancing the lower face.

The lower lip is excessively thick, creating disproportionate lip proportions.

The nose is too short vertically, creating a less balanced midface.

The midface is too short vertically, compressing the central face.

The lower face is too tall, creating an elongated chin and jaw.

The forehead is too slim relative to the face, reducing upper face balance.

The midface and jaw shapes do not align, reducing facial harmony.

The jaw appears excessively broad, often due to muscle bulk or fat, reducing definition.

The nose is overly upturned, creating an unbalanced nasal profile.

The neck lacks angularity, appearing soft and undefined in the profile view.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The nose bridge is excessively narrow.

The eyebrows lack adequate horizontal length.

The upper forehead slopes backward excessively.

3 ratios showing minor proportional variations that contribute to overall harmony score.