This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The upper jaw is too short, creating an unbalanced lower face proportion.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The middle of the face is too short, appearing compressed or wide.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The nose is too short vertically, creating a less balanced midface.

The eyes are too far apart, creating a wide or stretched midface appearance.

The entire face is too short and wide, reducing overall proportion.

The central midface is too wide, often due to wide-set eyes or a short nose.

The nose protrudes excessively, dominating the facial profile.

The lower face is too tall, creating an elongated chin and jaw.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The neck is too slim, appearing delicate and less proportionate to the face.

The nose bridge is excessively narrow.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The eyebrows lack adequate horizontal length.

The cheekbones are moderately low, providing limited midface definition.

The eyes appear excessively round.

The midface is too short vertically, compressing the central face.

The nose tip is excessively pointed, creating a harsh appearance.

The mouth corners are downturned, creating a frowning or sad appearance.

12 ratios showing minor proportional variations that contribute to overall harmony score.