This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

13 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The chin extends too far forward, unbalancing the facial profile.

The face is excessively tall and narrow, creating an elongated appearance.

The upper jaw is too short, creating an unbalanced lower face proportion.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too long, creating a heavy or extended lower face.

The cheekbones are moderately low, providing limited midface definition.

The vertical part of the jawbone is too long, elongating the lower face.

The eyes are positioned too close together, reducing midface balance.

The nose protrudes excessively, dominating the facial profile.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The lower face is too tall, creating an elongated chin and jaw.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.

The nose bridge is excessively narrow.

The forehead slopes backward excessively, altering upper face proportions.

The eyebrows lack adequate horizontal length.

The forehead is too slim relative to the face, reducing upper face balance.

8 ratios showing minor proportional variations that contribute to overall harmony score.