This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The eyes are positioned too close together, reducing midface balance.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The midface is underprojected.

The lower lip is too recessed, reducing fullness and profile balance.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The forehead slopes backward excessively, altering upper face proportions.

The upper lip is set too far back, creating a flat or thin appearance.

The eyes are too slim and elongated, creating a squinted appearance.

The mouth is excessively wide, creating an unbalanced oral region.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The nose droops downward, creating an unbalanced nasal profile.

The neck lacks angularity, appearing soft and undefined in the profile view.

The upper forehead slopes backward excessively.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

6 ratios showing minor proportional variations that contribute to overall harmony score.