This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

7 ratios showing strong performance but not fitting into specific categorized strengths.

The chin lacks forward projection, creating a weak lower face appearance.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The nose is too long vertically, unbalancing the midface proportions.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The outer corners of the eyes tilt upward excessively, creating an exaggerated look.

The face is excessively tall and narrow, creating an elongated appearance.

The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.

The eyes are too far apart, creating a wide or stretched midface appearance.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The eyebrows are positioned too high, altering the upper face's proportions and resulting in a less striking appearance.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The forehead has a softer, less prominent ridge than the ideal.

The neck lacks angularity, appearing soft and undefined in the profile view.

The lower jaw is too short, reducing lower face strength and balance.

The lower face is too short, reducing chin and jaw prominence.

The lower lip is too recessed, reducing fullness and profile balance.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The jaw is too slim, creating a delicate or less robust lower face appearance.

The nose droops downward, creating an unbalanced nasal profile.

The midface is too tall, elongating the central face.

The midface and jaw shapes do not align, reducing facial harmony.

The vertical jawbone is too short, leading to inadequate jaw height and definition.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The eyebrows lack adequate horizontal length.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The forehead slopes backward excessively, altering upper face proportions.

The upper forehead slopes backward excessively.

The nose bridge is excessively wide.

4 ratios showing minor proportional variations that contribute to overall harmony score.